From our guest blogger: Imogen Reed
Either
you were there or you should accept commiserations for having missed it. The
opening concert of the 19th Izmir European Jazz Festival, which
started on 3 March and plays on until 17 March, celebrated all that is jazz by
inviting Amsterdam-based band Arifa and special guest Senol Filiz to play for
its opening concert.
Arifa
is made up of a Turk, an Iraqi, a Romanian and a Dutchman. They, along with
their Turkish guest, set the stage on the opening night by encapsulating exactly
what the festival aims to portray; acts that represent rich collaborations of
jazz musicians from Europe and Turkey. For their part, Arifa improvises “on an
electronic and modern base combined with Arabian, Anatolian and Balkan
melodies”. Their music is just as intense as that description suggests, with
qanun, oud, saxophone, clarinet, percussion and the guest ney, or flute,
interplaying to work up a musical delight that the audience savoured.
If
you haven’t already, call Biletix or the venue itself to buy a ticket for coming
concerts! It might be rainy and cloudy out there at the moment, but there’s no
point hiding inside lounging around and drinking Turkish tea all cosy and
duvet-ed up on an organic
mattress, lost inside a Pamuk novel, when leading jazz cats are just down by
the waterfront.
Where?
The
Izmir European Jazz Festival is a recipe that has been winning for years; this
is the nineteenth one. The main venue is the fresh, light and bright Ahmed Adnan
Saygun Art Centre. Once a tram terminal, the site was developed by architect
Tevfik Tozkoparan and completed little more than three years ago. Nodding to the
eponymous Turkish composer, the centre is now highly revered as an arts venue -
some even say it is Turkey’s best arts centre - but it is also intended as a
place to drink coffee, take in an exhibition, hang out. Concert-goers will be
pleased to hear, according to Frommers What’s On website, that the concert hall
boasts “perfect acoustics”.
What’s
on?
Back
to the festival. Altogether there are nine concerts at the jazz festival. Other
highlights include names that those familiar with the jazz circuit will
recognise, including the Instant Composers’ Pool (or ICP) Orchestra and the
Paganini Trio (see below), as well as the Geraldine Laurent Trio and the Tomasz
Stanko Quartet on Saturday 10 and Thursday 15 March, respectively.
The
ICP Orchestra will be playing on Monday 12 March in the festival’s second
concert to mark Dutch-Turkish relations (the first being Arifa’s opening
concert). The ICP Orchestra has been improvising in one shape or form for many
years after being founded by Misha Mengenberg and Han Bennink in the sixties.
Today it says it is “a mixed ensemble: part jazz band, part chamber orchestra”.
Its music is pacy, sometimes wacky and coolly jazzy.
The
final act on Saturday 17 March sees three Turkish musicians play with special
guest Austrian saxophonist Wolfgang Puschnig, who the festival organizers say is
one of the leading saxophonists of our time. The places the percussionist,
pianist and violinist take you to are enough to make the hairs on the back of
your neck stand up. Add a great saxophonist into the mix and you know there is
going to be a truly astounding climax to this wonderful festival.
What
else?
The
festival is being organized by the by Izmir Foundation for Culture Arts and
Education with Turkish, Dutch, German, Polish, Italian and French sponsorship.
As well as laying on musical treats it in the form of nine concerts, it also has
educational objectives. Some of the musicians playing at the festival will be
holding workshops. These include an Open Jazz Orchestra Workshop, which will
bring participants onto the festival stage on 9 March after a week of working
together. Such workshops are a great opportunity for musicians to meet, work and
network and sometimes leads to exposure and further collaboration. Five seminars
see jazz historian Francesco Martinelli divide the history of jazz into a
five-part seminar.
The
festival also includes the 10th Jazz Poster Competition. Winners were
given their awards on the opening night, but the entries can still be seen at an
exhibition in the Ahmed Adnan Saygun Centre.
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